In the Works

Forthcoming book chapters, articles, and talks by Emilio Audissino

BOOK CHAPTER: ‘“The Shark Is not Working” – but the Music Is. Scoring a Hit with Jaws.’ In The Jaws Book: New Perspectives, edited by Ian Hunter and Matthew Melia. New York: Bloomsbury, 2020.

BOOK CHAPTER: ‘The Function of Mickey-Mousing. A Re-assessment’. In Sound & Image: Audiovisual Aesthetics and Practices, edited by Andrew Knight-Hill. New York: Routledge, 2020.

BOOK CHAPTER: ‘Police Squad!: Good Idea, Wrong Medium, Wrong Time. The Zucker-Abrahams-Zucker Style VS the Substance of Television’. In Moments in Television. Substance/Style, edited by Sarah Cardwell, Steven Peacock, and Jonathan Bignell. Manchester: Manchester University Press, 2020.

BOOK: John Williams’s Film Music. ‘Jaws,’ ‘Star Wars,’ ‘Raiders of the Lost Ark,’ and the Return of the Classical Hollywood Music Style, 2nd edition. Madison, WI: University of Wisconsin Press, 2021.

BOOK CHAPTER: ‘The Sound of The Uncanny: The Narrative Role of Music in Profondo Rosso.‘ In Scoring Italian Cinema. Patterns of Collaboration, edited by Giorgio Biancorosso and Roberto Calabretto. New York: Routledge, 2021.

JOURNAL ARTICLE: ‘A Matter of Style… and Monsters: A Comparative Analysis of Bay of Blood and Friday the 13th, work in progress.

BOOK CHAPTER: ‘Zucker-Abrahams-Zucker: The “Zany Godards” of the American New Wave.’ In New Wave, New Hollywood, edited by Nathan Abrams and Gregory Frame. New York: Bloomsbury. Forthcoming.

BOOK CHAPTER: ‘The Rezort (2015) or: A “Modest Proposal” to Solve the Refugee Crisis.’ In Deconstructing the Zombie: Cultural and Ideological Approaches, edited by Alfonso M.
Rodríguez de Austria Giménez de Aragón and Cristina Pérez de Algaba Chicano. Forthcoming.

JOURNAL ARTICLE: ‘2 Broke Girls: Flattening Kat Dennings into Max Black. An Analysis of Character Arc and Complexity in the Sitcom’, work in progress.

BOOK (edited, with Emile Wennekes): Scoring Laughs. Styles and Functions of Music in Comedy Cinema. Work in progress.