In the Works

Forthcoming book chapters, articles, and talks by Emilio Audissino

BOOK: Film Music in Concert. The Pioneering Role of the Boston Pops Orchestra (‘Cambridge Elements in Music Since 1945’ series). Cambridge/New York: Cambridge University Press, 2021.

BOOK CHAPTER: ‘Police Squad!: Good Idea, Wrong Medium, Wrong Time. The Zucker-Abrahams-Zucker Style VS the Substance of Television’. In Moments in Television. Substance/Style, edited by Sarah Cardwell, Steven Peacock, and Jonathan Bignell. Manchester: Manchester University Press, 2021.

BOOK: The Film Music of John Williams. Reviving Hollywood’s Classical Style, revised and updated edition of John Williams’s Film Music (2014). Madison, WI: University of Wisconsin Press, 2021.

BOOK CHAPTER: ‘Zucker-Abrahams-Zucker: The “Zany Godards” of the American New Wave.’ In New Wave, New Hollywood, edited by Nathan Abrams and Gregory Frame. New York: Bloomsbury. 2021.

BOOK CHAPTER: ‘The Sound of The Uncanny: The Narrative Role of Music in Profondo Rosso.‘ In Scoring Italian Cinema. Patterns of Collaboration, edited by Giorgio Biancorosso and Roberto Calabretto. New York: Routledge, 2022.

BOOK CHAPTER: ‘The Rezort (2015) or: A “Modest Proposal” to Solve the Refugee Crisis.’ In Deconstructing the Zombie: Cultural and Ideological Approaches, edited by Alfonso M.
Rodríguez de Austria Giménez de Aragón and Cristina Pérez de Algaba Chicano. Forthcoming.

JOURNAL ARTICLE: ‘2 Broke Girls: Flattening Kat Dennings into Max Black. An Analysis of Character Arc and Complexity in the Sitcom’, work in progress.

BOOK (edited, with Emile Wennekes): The Palgrave Handbook of Music in Comedy Cinema. London: Palgrave Macmillan (2023).